All posts by Deirdre Straughan

The End of Fear

There’s a frightening opinion piece in the New York Times, A Nuclear 9/11, about the need to stop nuclear proliferation. Some people in the know think that there’s a high risk of some form of nuclear weapon being used by terrorists on American soil, sometime in the next 15-20 years. The war in Iraq has done little or nothing to alleviate that risk, and not much else is being done about it.

I grew up with the constant threat of nuclear war between the US and USSR. That threat didn’t loom nearly as large over my generation as it had over my parents’; we never had bomb shelters or “hide under your desk” drills in school. But we did have Ronald Reagan’s massive military spending, sabre-rattling, and “Evil Empire” speeches. Perhaps I’m a hypersensitive soul, but it made me wonder sometimes whether all our hurrying and scurrying to build happy lives for ourselves and our children might be blown to naught by someone’s itchy trigger finger.

My daughter was only a few months old when the Berlin wall fell in 1989. It seemed like a good omen for her life: the world was finally emerging from the shadow of the Cold War, and her skies would be bluer than ours had been.

In 2001, as we all know, the skies got much darker. At least with the USSR we had had détente, mutually-assured destruction actually being a good deterrent. Now we’re up against people who gladly accept their own destruction, if only they can take a few of us with them.

In my research for the Woodstock School history book, I read a first-person account of World War I, by a woman who was a student at the time:

“And then the war. It was always there in those days 1914-1918, over the horizon to be sure, but it somehow took the bottom out of the world for us. We had all been brought up to know that the world was getting better and better, and [war] was more and more impossible. I suppose it will be at least a hundred years before there is such a confident, carefree generation again. The impossible had happened…”

That hundred years has nearly passed now, and we still can’t be confident and carefree. If anything, the prospect seems to recede ever further into an uncertain future. When will mankind grow up?

Randy Newman in Milan

Monday night we went to hear Randy Newman in Milan, on the last date of his European tour. I didn’t realize it was the last til I looked at his site just now – he certainly didn’t look any worse for the wear of 22 shows in 30 days. This was the Songbook tour, just Randy and his piano; I’d heard about the tour (and bought the CD) thanks to a review in the NYT or somewhere. It was sheer dumb luck that I stepped out of a hotel in Milan a few weeks ago and found myself face to face with Randy Newman on a poster, glued to a fence around the Pirelli tower (re)construction site (this is how I usually learn about concerts I want to go to, usually too late).

The promoters missed a marketing opportunity – I think Rossella and I were the only Americans in the theater. Ross was also very much the youngest person there, but that’s less surprising. I watched as the crowd entered, and amused myself speculating on who these people were. My guess is that this concert brought out every old-school lefty to be found in the Milan area: I have not seen so many beards in one room since about 1975. There was even one guy with long sideburns and a gold corduroy jacket – thirty years of fashion had passed him right by, even in Milan! Or maybe that stuff’s back in now, and I, as usual, am the laggard follower of fashion.

We hoped not to be subjected to a constant audience singalong such as we had suffered through at the Alex Britti concert. This was a very different audience, but Ross was plagued by the two guys behind her singing along through most of the show, albeit so quietly that Enrico and I didn’t hear them. Unfortunately, she didn’t mention this til afterwards; she hadn’t wanted to disturb anyone else by shushing them, though she might have said something during intermission.

There was one song that Randy asked us to sing along on: “I’m Dead and I Don’t Know It,” about all the geriatric rockers still on tour (referring to himself as well). I had recently been thinking about this phenomenon: my daughter is the third-generation Who fan in our family. That’s a bit scary, but at least it’s something we can share, though my tolerance for her generation’s music is limited.To sum up, the concert was wonderful. If you don’t know Randy Newman, or only know him via such pop hits as “Short People” or “I Love LA,” or his movie scores, I recommend a closer aquaintance. He writes songs unlike anyone else’s: three-minute stories narrated by characters very distant from himself, sad, funny, touching, and often with an ironic punch that gets you thinking.

Songbook Vol. 1 Amazon UK

About Randy Newman

More Virus Sneakiness

I received the following email last night:

“Dear user of e-mail server “Yahoogroups.com”,
Some of our clients complained about the spam (negative e-mail content) outgoing from your e-mail account. Probably, you have been infected by a proxy-relay trojan server. In order to keep your computer safe, follow the instructions.
Please, read the attach for further details.
For security purposes the attached file is password protected. Password is “87240”.
The Management,
The Yahoogroups.com team http://www.yahoogroups.com”

There was a password-protected zip (compressed archived) file attached.

The alarm bells started ringing in my head, even though my virus scanner had passed this attachment as clean. If Yahoo really had something to tell me, why would they put it in a password-protected file? I did NOT open the file, and I warned my fellow moderators of this Yahoo group not to open it. I turned to my group of expert friends for their opinions, and one told me he had recently received this warning from his ISP: “There’s a new virus on the loose that’s able to trick our antivirus program on our email server. It’s in a password protected zip file. Unfortunately, there is no method to scan password protected zip files, so our server sends it through.”

The moral of the story is the same as it’s always been: if you are not expecting a file from somebody, and/or anything seems strange about the situation, do NOT OPEN THE ATTACHMENT. You’ll save yourself and everyone in your address book a world of trouble.

See also

The Bride’s Bouquet

A year after we met, Enrico and I attended the wedding of two high school friends of mine (I was a bridesmaid). At the end, I stood among the other unmarried women while the bouquet was thrown. I wasn’t particularly keen to catch it, and am no good at catching things, so I didn’t even raise my arms. I looked up, watching the trajectory, as the bouquet arced high and then fell – straight down into my startled face (good thing I wear glasses). It bounced off and into my hands, and so I “caught” the bouquet.

I took the accidental and unsought catch as a sign that, whenever I did get married, there would be something unusual and surprising about the circumstances. Turned out I was right about that, too. But that’s another story.

Some More Thoughts on Television

a follow-up to How TV Could Make Money Distributing Shows Online

Joss Whedon, the creator of Buffy the Vampire Slayer, has one last refuge on television this year: “Angel,” the Buffy spinoff, eagerly followed by fans of the “Buffyverse.” But not for long. The show has been cancelled by its broadcaster, the WB, as of the end of this season, its fifth.

Apparently this has to do with the economics of television. After a show has run five years, costs such as actor salaries go up, I guess by some automatic TV industry mechanism, causing the overall price of a show to rise, just about the time that its creative energy is often waning, running the risk of a more-expensive show attracting fewer viewers. This problem arose with “Buffy” three years ago. Reports are that, during contract negotiations about what would happen after the show’s fifth year, the WB refused to pay more than $1.8 million per episode, which wasn’t enough for Fox, the show’s producer. Rival broadcaster UPN offered $2.3 million per episode, for two years, and that was how Buffy ran to seven seasons.

The cancellation of “Angel” was announced a few weeks ago, to furious reaction from fans and media commentators. Thousands of fans worldwide are supporting “save the show” efforts, sending postcards and even raising money to run ads in industry papers such as Variety. All for naught, apparently. The most likely candidate to pick up the show would have been, again, UPN, but they have now officially declined, saying that they made a mistake to pick up “Buffy” so late in its life – they lost money on it.

I’m disappointed that “Angel” will end, but am mulling over how a change in television distribution, such as the one I fantasized about earlier, might save shows like this, whose millions of viewers are still not quite enough for a show to survive the economics of traditional broadcast television.

Some facts supporting my idea:

  • Many “Angel” fans worldwide already go to some trouble to download the show (illegally), because it is not shown where they live until months after its US airdate – or not at all.
  • Many (most?) of these fans then go on to buy the show on DVD as soon as available. The production companies don’t release sales figures for DVDs, but Angel Season 4 was released in the UK on Monday, and today it’s ranked among the ten top sellers on Amazon.co.uk (consider that most of us rabid fans pre-ordered it weeks or months ago, so are not counted in today’s sales figures).
  • Fox Filmed Entertainment, producers of Buffy, made $250 million selling DVDs of television shows in 2003, its top three sellers being “24? (season 1), “The Simpsons” (seasons 1 and 2) and “Buffy” (season 3). It’s been widely reported lately that sales of such TV DVDs are booming, so we can probably expect Fox’s earnings on Angel and Buffy to grow this year.
  • Although Whedon’s Firefly series died on television over a year ago (ratings – only four million viewers or so), its release on DVD has been a huge success. Again, no hard numbers are available, but it has been a top seller on Amazon since it was announced last July – and it didn’t actually ship until December. Sales have been good enough that Universal Pictures has now given the go-ahead for a film version. (Yay!)

There are similar examples from other shows, but I won’t bore you with the details. My point is: broadcast television is not a viable medium for some niche TV shows, but the audiences for those shows might be large enough to support them via some other distribution method. If every one of Angel’s 4 million weekly viewers was willing to pay $1 per episode, that should be plenty to cover both production and distribution costs, including generous cuts for the middlemen.

So what are the production companies waiting for?


Mar 28, 2004

I have now found the hard numbers:

The “Firefly” DVD has sold a surprising 200,000 copies since it was released last December. (The release fortuitously came out while U execs were debating greenlighting the pic.) – Variety