Mehndi Progression

^ Excuse the background noise – there was construction going on right outside the salon. In India, you learn to ignore a lot of background roar.

While in Mumbai, as is my wont, I had mehndi done. I’ve taken photos to show how the color changes over time, and will keep adding more.

Typically it’s very orange when first applied, deepens to a dark rust in the first 24 hours (the darker your skin, the darker it gets), then begins to fade. How long it last depends on how often you wash your hands, especially with soap.

Shopping and Mehndi in Mumbai

India Vlog 2005: August 14

More shopping. Yuti went around with us to places near the Gordon House, including Fabindia, where I bought a cotton bedspread in blue, green, and purple, to go with some silk throw cushion covers I had bought on a previous trip – for the spare bed in my home office. I also bought a shirt or two, and presents.


In the evening, back at the hotel, we had mehndi (henna) painted on our hands, something Indian women traditionally do for big occasions, especially their own weddings. A complex design covering both sides of both hands such as we had done is called bridal because it’s most often done for brides (along with their feet).

The artist was a Muslim woman named Mumtaz, who brought along a young (Hindu) apprentice. They had not met before, so the conversation between the two of them (in Hindi) was interesting. The Hindu girl was trying to express solidarity, or at least non-prejudice, with Muslims. She mentioned that she had a Muslim friend named Farzana. She asked if Mumtaz had children. Two sons, was the reply. “What are their names?” I forget now what Mumtaz said, but they were typical Muslim names. “You people have such pretty names,” the girl remarked.

Even more fascinating was watching Mumtaz work. She told me that mehndi was a family craft that she had learned from her mother, grandmother, and aunts. Note that the film is NOT speeded up – she really did work that fast. Nonetheless, it took over an hour each to finish me and Ross.

As I watched, I realized that the paper doodles I’ve done for years are probably influenced by mehndi patterns; both are decorative ways to fill space. Though hands and feet are more fun to doodle on, and a well-chosen design, such as the vine pattern on Ross’ fingers, can enhance a graceful limb rather than just covering it.

Mumtaz agreed with Ross that for me to do one hand and one foot would be weird, so I ended up with both hands done. At which point I couldn’t film anymore!

As the mehndi dried, it began to flake off, showing the initially very orange color of the skin beneath:

Eventually we rubbed it all off with towels, trying not to grind the crumbs into the hotel’s bedsheets and carpet. Here’s how it looked then:

By the time we got home two days later it had settled into a rust color. Over time it faded, and was completely gone in about two weeks.

Initial reactions back in Italy were mixed. While Ross got compliments (“Ooh, pretty! Like Madonna!”), I got a lot of strange looks. People would glance at me and then do elaborate double-takes, sometimes frowning in confusion. But one man that I see frequently on the train gave me a huge smile. Someday I’ll have to get to know him and ask what that was about.