Tag Archives: handicrafts

The Crafts Museum in Delhi

Sunday, my last day in India, I hired a car to go into central Delhi, where I visited the Crafts Museum (on the advice of friend and commenter Alice). The collection is very interesting, some of it so beautiful and well made that I had to wonder where one draws the line between “handicrafts” and Read More…

Sunday, my last day in India, I hired a car to go into central Delhi, where I visited the Crafts Museum (on the advice of friend and commenter Alice). The collection is very interesting, some of it so beautiful and well made that I had to wonder where one draws the line between “handicrafts” and “fine art.” Explanations were of variable quality – some very enlightening, others non-existent. Poor lighting made it hard to really appreciate some of this fine work, sadly, especially the textiles – and I do love textiles, though I was already overwhelmed by many days of shopping for saris.

When you finish with the museum part, there’s a small courtyard surrounded by booths selling more crafts, some quite good, and the usual dance troupe – seems to be the same family, and certainly the same style, as employed at Dilli Haat.

There is also a museum shop, featuring a clutter of stuff from all over India that you might not easily find elsewhere. I loved the wrought-iron works by tribals from Madhya Pradesh (which I recognized thanks to a placard I had seen in the museum – the shop is devoid of explanation). These pieces feature delicate dancers in a style reminiscent of Native America’s Kokopeli. Human and animal figures are arrayed to form window gratings and other objects unfortunately too large and heavy to take home this trip. Someday. I did buy a little monkey, and another statuette whose provenance I know nothing about (pictured above).

I also bought a collection of plaster figurines from Bengal. I’ve seen these for years at the Central Cottage Industries Emporium in Delhi – and much better ones years ago in Calcutta – but always wondered about them because they seem too breakable to be kids’ toys, yet not artsy enough to be intended as decoration. But, thanks to another helpful museum placard, I now may have an explanation for them – somewhat different from the explanation I’d found for some similar figures at the Folk Art Museum in Santa Fe.

One big glass case in the Crafts Museum holds an entire miniature village, bustling with equisitely detailed and realistic clay figures (about 6″ tall), painted and dressed in real cloth. The attached placard explained that this was the work of a group of clay artisans originally famed for their representations of Hindu deities. The British in India, uninterested in gods, instead encouraged the sculptors to represent real Indian people of all sorts and professions, as souvenirs the Brits could take home to illustrate life in India to their untravelled friends and relatives.

My guess is that the set of figurines I bought is based on pieces originally intended to illustrate the staff of a typical British household in the Raj era, though this modern version makes a few subtle (or sloppy) changes. Let’s see whether we can figure out who all these people are.

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From the left:

  • The ayah (nanny) who would have looked after the British family’s children, though here she’s shown breast-feeding a child. This is confusing. She would not have been taking care of her own child while in the employee of a British household, but in all my readings about the Raj, I never heard of a “native” wet-nursing a white child. Hmm.
  • The valet – you can’t tell in this picture, but he is brushing a classic sola topee (pith helmet), though it’s the wrong color here.
  • Cook. Judging by the beard, he is probably Muslim – the preferred religion for cooks as they did not object to cooking meat (except pork).
  • Guy #4 may be some sort of general cleaner – is that green thing over his shoulder a dustcloth?
  • Guy #5 has books under his arm – the kitmadgar (butler) coming to do the household accounts with memsahib?
  • The big bundle of cloth over his shoulder indicates that this is the dhobi – laundry man. There are still plenty of these around, and they still carry your clothing the exact same way.
  • Greengrocer, carrying his wares on his head. It’s still possible in India today to have groceries (and many other things) delivered to your home.
  • This guy is wearing some kind of uniform; he may be a watchman (chowkidar).
  • Another probable Muslim carrying a possible leather bag over his shoulder – bhishti (water carrier)?
  • The last one on the right has a piece of clothing over his arm – probably the darzi (tailor), who would come to your house to sew your clothes. This, too, still happens – during a visit to Midlands, the girls’ dorm at Woodstock, I saw the darzi sitting in the lounge with his sewing machine, where girls brought him clothing for minor repairs or alterations.

any thoughts on this? I could be wrong about all of it!

India Vlog: Jaipur Crafts

After Amber Fort, we visited some touristy handicraft shops. They’re very well organized with demos and explanations, and, of course, opportunities to buy! Hand Block Printing Fabric Handloom Carpet Production You might also like: View from the Hill Fort, Kesroli Morning at the Hill Fort, Kesroli Birdsong and Bougainvillea India Vlog: Jaipur – Amber Fort

After Amber Fort, we visited some touristy handicraft shops. They’re very well organized with demos and explanations, and, of course, opportunities to buy!

Hand Block Printing Fabric

Handloom Carpet Production

Castelli: Traditional Ceramics from the Hills of Abruzzo

Castelli is a small town in the hills of Abruzzo (the region on the east coast of central Italy, on the Adriatic sea), famous for its hand-painted ceramics – a centuries-old tradition in the area thanks to its local deposits of clay. You start to see shops along the road kilometers before you get there, Read More…

Castelli is a small town in the hills of Abruzzo (the region on the east coast of central Italy, on the Adriatic sea), famous for its hand-painted ceramics – a centuries-old tradition in the area thanks to its local deposits of clay.

You start to see shops along the road kilometers before you get there, and the town is full of shops with wares ranging from the cheap and tacky to ornate, elegant, and expensive.

The traditional designs are rich floral themes, landscapes, portraits, and animals. The people and animals are mostly copied from/inspired by San Donato, a tiny church on the outskirts of Castelli whose ceiling is entirely covered with thick, decorated ceramic “bricks”, created centuries ago as votive offerings by local families.

Simonetti ceramics shop, Castelli, Abruzzo, Italy

Those traditional designs are very busy, so if you prefer simple dinnerware, the Castelli style is not for you. The more elaborate pieces are better suited to hanging up as art than eating from. They are also fragile: after some years, the glaze on my serving bowl cracked when I put hot pasta sauce into it! (I still use it for salads.)

A few artisans are breaking with tradition and trying innovative, modern designs, but, at the time we visited, we didn’t see anything terribly exciting in this vein.

After extensive searching, we found a couple of simple pieces to “match” our eclectic collection of china. Then, having done enough shopping to work up an appetite, we decided it was time for lunch.

Tip: Although it’s almost impossible to eat badly in Italy, you can eat really well by asking local people for recommendations. Avoid the places advertising “tourist menus.” The food there will likely be cheap and decent, but, in Italy, you can do a lot better than decent!

We asked a shop owner to recommend a place. She sent us to Ristorante Tortella, where, she said, the Castellani themselves go when they eat out.

sign for Pardi ceramics shop, Castelli, Abruzzo, Italy

Lunch was indeed excellent: samples of several kinds of pasta, including maltagliati (“badly cut” – sheets of homemade pasta sliced into long triangles and rhomboids) with spinach and herbs; followed by grilled local lamb, washed down with a cheap but good local vintage of Montepulciano d’Abruzzo.

Tip: Wherever and whenever you travel in Italy, eat the local and seasonal specialties; these are almost always the tastiest items on the menu.

ceramic police sign, Castelli, Abruzzo, Italy