Category Archives: Italy

Crotasc – A Winery Restaurant Specializing in Wild Game

We’ve discovered a new treasure, Crotasc, a restaurant attached to the Mamete Prevostini winery in Mese, just outside Chiavenna (a town north of the northern tip of Lake Como). Their specialties are salumi and insaccati (dried meats) and wild game (including salumi made from wild game), and of course their own wines.

The house welcoming nibble was thin slices of slinzega, a dried beef similar to the Chiavennasca specialty, violino di capra (“violin of goat’ – salted preserved haunch of goat, traditionally carved by holding it under your chin and sawing towards you with a long knife), along with several kinds of excellent bread, ranging from pure white to the traditional pane di segale (rye) – I wish I could buy the bread the restaurants get!

My husband had the 30-euro wild game menu, which started with a small selection of wild game salumi, followed by ravioli with fagiano (guinea fowl). I had home-made papardelle (wide pasta ribbons) with duck breast. Both were wonderful.

Enrico’s secondo was a medallion of venison with a sauce of Sfursat (the local “fortified” wine); I had a venison cutlet. Both were served with a dollop of polenta and a vegetable “foam.” My cutlet was excellent, but Enrico’s with the sauce was even better.

For dessert I had a chocolate pudding in vanilla sauce, Enrico had an orange semifreddo (semi-frozen), which again I liked better than my own – maybe I’m just envious.

We accompanied everything with a Grumello 2000 by Mamete Prevostini, also excellent. We could probably have bought some of their wine while we were there, but they were disappointingly out of the lovely white called Opera that we had tasted last summer at Lanterna Verde – they’re waiting for the new vintage to be ready. I guess we’ll just have to go back for it.

The restaurant is divided into two rooms, one traditional with a huge fireplace, and big dark wooden ceiling beams. We ate in the non-smoking room, which looked as though it had been recently done or re-done, in light wood with lovely modern fountain chandeliers and stone paving. There is also lots of outside seating, so the place is probably even more delightful during daylight, in good weather.

I warmly recommend this restaurant to anyone who’s visiting Lake Como – it’s well worth the trip.

via D.P. Lucchinetti 67,
23020 Mese (SO)

Italian Winter Weather

The first time we visited Milan, in January of 1991, there were about four inches of snow on the ground. It melted the next day, and in the 12 years we lived in Milan after that I only saw snow falling once or twice a year, some years not at all, and rarely enough to stick. For the last few years, February has been mild, April cold and rainy, and everyone complained about how the seasons weren’t what they used to be (a lament that has probably been heard since the australopithecines).

Today it’s snowing in Lecco. A lot. Just like it did the week before last, and the week before that, and I lose count before that. A few weeks ago we took in “refugees,” six of Ross’ classmates who had commuted up to an hour to get to school, only to find it cancelled because snow was falling and the heating system wasn’t working.

The kids weren’t a problem, but I’ve had enough of winter. I never liked cold weather in the first place. I was born in New Orleans, subsequently lived in Texas, Hawaii, and Thailand. I never saw snow actually falling out of the sky until we got to Pittsburgh, when I was 11. I hate having to dress up in layers and layers of clothing to go outside, then when you go into a shop or come home again you’re too hot and have to undress. I have no circulation in my hands and feet, so they’re always icy cold (cold hands, warm heart – I’d settle for the reverse). I even have chilblains on my toes this year, probably from wearing wimpy shoes in a misguided attempt to be fashionable, before I found a pair of decent-looking fur-lined boots in England.

One problem specific to Italian winters is that most of us have no control over home heating – condominium buildings are usually centrally-heated, and the thermostat is set according to government regulations. Heating goes on October 15th and off April 15th, regardless of actual outside temperatures. And it’s turned way down during hours that most people are out of the house, e.g. 10 am to noon, which happen to be my peak working hours in my home office. So I’m sitting at my desk wearing ski socks and fleece slippers (still going strong – thanks, Laura and Larry!), a turtleneck, corduroy trousers, and a Kashimiri shawl.

Heating also gets turned off at night when we’re all supposed to be in bed. There are few things more miserable than being wide awake at 4 am with jetlag, and you can’t even read in bed because it’s too cold to put your arms outside the covers (yes, there is another activity which could warm you up in bed, but that only works at 4 am when both of you have jetlag).

Randy Newman in Milan

Monday night we went to hear Randy Newman in Milan, on the last date of his European tour. I didn’t realize it was the last til I looked at his site just now – he certainly didn’t look any worse for the wear of 22 shows in 30 days. This was the Songbook tour, just Randy and his piano; I’d heard about the tour (and bought the CD) thanks to a review in the NYT or somewhere. It was sheer dumb luck that I stepped out of a hotel in Milan a few weeks ago and found myself face to face with Randy Newman on a poster, glued to a fence around the Pirelli tower (re)construction site (this is how I usually learn about concerts I want to go to, usually too late).

The promoters missed a marketing opportunity – I think Rossella and I were the only Americans in the theater. Ross was also very much the youngest person there, but that’s less surprising. I watched as the crowd entered, and amused myself speculating on who these people were. My guess is that this concert brought out every old-school lefty to be found in the Milan area: I have not seen so many beards in one room since about 1975. There was even one guy with long sideburns and a gold corduroy jacket – thirty years of fashion had passed him right by, even in Milan! Or maybe that stuff’s back in now, and I, as usual, am the laggard follower of fashion.

We hoped not to be subjected to a constant audience singalong such as we had suffered through at the Alex Britti concert. This was a very different audience, but Ross was plagued by the two guys behind her singing along through most of the show, albeit so quietly that Enrico and I didn’t hear them. Unfortunately, she didn’t mention this til afterwards; she hadn’t wanted to disturb anyone else by shushing them, though she might have said something during intermission.

There was one song that Randy asked us to sing along on: “I’m Dead and I Don’t Know It,” about all the geriatric rockers still on tour (referring to himself as well). I had recently been thinking about this phenomenon: my daughter is the third-generation Who fan in our family. That’s a bit scary, but at least it’s something we can share, though my tolerance for her generation’s music is limited.To sum up, the concert was wonderful. If you don’t know Randy Newman, or only know him via such pop hits as “Short People” or “I Love LA,” or his movie scores, I recommend a closer aquaintance. He writes songs unlike anyone else’s: three-minute stories narrated by characters very distant from himself, sad, funny, touching, and often with an ironic punch that gets you thinking.

Songbook Vol. 1 Amazon UK

About Randy Newman

Strangers on a Train

A question that often arises in the travel forums is: “What’s it like to travel in Italy with small kids?”

Speaking from my own experience, it’s great. Italians love kids, and, when you enter a train compartment with a child in Italy, you don’t get the suffering looks that you get when boarding a plane with one in the US. Everyone’s ready to ooh and aah and spoil your child rotten. Well, almost everyone.

When Rossella was three or so, we had occasion to go to Rome by train. We ended up in a compartment with four middle-aged ladies. Three of them were travelling together, and were happy to spend the entire five-hour trip entertaining Ross, who laughed and was charming and sat on their laps.

The fourth lady was travelling alone, and seemed to be allergic to children. She would draw away whenever Ross got near her, and throughout the trip showed clearly, by grimaces and sighs, that sharing a train compartment with a child was akin to being in the seventh circle of hell.

Ross, of course, was not oblivious to this. She tried her best to draw the lady out, with all her most adorable three-year-old wiles. Nothing worked, and Ross was disappointed – she was accustomed to wrapping adults around her little finger.

Towards the end of the trip, Ross looked the lady full in the face and said: “Tu sei brutta. E pure antipatica.” – “You’re ugly, and you’re not nice.”

I made all the polite remonstrances that the occasion demanded, but the other three ladies and I had to avoid looking at each other, so as not to burst out laughing. It was hard to fault Ross, who had spoken the truth as she saw it, with brutal three-year-old candor.

 

The Old School Tie

I went each year to Ross’ class play, taking a seat in front row center so I could videotape. One year, this put me right next to a dignified old woman who had to be Signora Pavone, the retired principal of Setti Carraro. Our friend Patrizia, whose recommendation had originally helped get Ross into the school, had asked me to say hello on her behalf, so I looked for a way to start a conversation with this rather forbidding lady.

During intermission, she was approached by a very stylishly-dressed woman, the mother of one of the students, and clearly an alumna herself. When they had finished their conversation, I turned to Signora Pavone. “I’m glad to see that this school has a tradition of alumni sending their own children,” I said. “I went to a school like that, and it’s always a good sign. I assume that lady was also a student?”

Signora Pavone gelidly replied: “That lady’s great-grandmother was also a student here.”

End of conversation. Apparently, as the mother of a first-generation student, I was a mere upstart. Ah, well. Woodstock may be a few decades younger than Setti Carraro, but at least it is led by – and produces – people who are interested in engaging with the wider world around them.