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Other People’s Bookshelves

In the course of looking for a place to live in Lecco, we’ve seen the insides of many strangers’ homes, up for sale (for the moment we’ve ended up renting, but that’s another story).

The décor was extremely variable. Many Italian homes run to a type I think of as “classic” Italian: heavy, dark wood furniture, with family photos in silver frames, and lots of silver gewgaws of the type that you give as gifts when you want to give something costly but don’t know the recipient’s tastes (I loathe these things: too ugly to display, too expensive to give or throw away).

We did see one place stunningly decorated with masks and sculptures from all over Africa; the owner has travelled there a lot. The interior design of this house was also stunning, with an iron spiral staircase going up to a loft office under the peak of the roof. But the furniture was a little too well-matched for my taste – and it was green! As was the kitchen. What is it with green in this country? Do we have to pay homage to the olive in everything?

Another place had furniture clearly designed by an artist and custom-built for the house. It was made of laminated layers of different woods, cut away in strange angles and curves and polished to a sensual smoothness that made you want to stroke it. If the furniture had been included in the (exorbitant) price, I’d have wanted the place on the spot.

What I found surprising in most of the houses we saw was the lack of books. I admit that we probably err on the side of excess. But I’m always suspicious, and somewhat uncomfortable, in a house with no books. You can tell a lot about a family by what’s on their shelves, and you can always find something to talk about. In one friend’s home, I could see instantly that someone was a classicist. In another, it was downright hilarious how many books we had in common, right across the spectrum from science fiction and fantasy to Indian novels.

Firefly: Joss Whedon’s Space Opera

If you never saw Joss Whedon‘s short-lived series “Firefly” when it was running on US television last fall, now’s your chance. It’s, um, well, hard to explain… a science-fiction western? It takes place 500 years in the future, in a universe populated only by human beings (so far as we know), just after a civil war reminiscent of the American Civil War. Our hero, Captain Mal Reynolds, was on the losing side; now he does his best to keep his beat-up starship and crew alive, taking on whatever work they can find – legal or il-. The crew includes a variety of types and backgrounds; I won’t say more so as not to spoil anything. Suffice to say that, thanks to sharp dialog, great stories, and very high production values, you come very quickly to care about these people and what’s going to happen to them. No, you don’t have to be a Buffy fan to like it.

The show was untimely cut off by Fox after only 12 episodes, in spite of a large and growing following. Three additional episodes were shown in the UK; all 15 will soon be available on DVD, with commentary on every episode, and probably some nice extras as well. Buy the DVDs

Best news of all: the Firefly movie, Serenity, with all the same cast, is fantastic, and will soon be available on DVD.

Ivaldi: Table of Contents

Available chapters are shown as links below.

Book 1: True Seaborn

The City of Light 01Light

supplement: The Ivaldin Calendar

The Font of Knowledge 02fontknow

Overnight Success 03Overnight

Bard in a Gilded Cage 04Bard

More Tales from the Font of Knowledge 05MoreTales

Carilla and the Long Arm of the Law 06Carillalaw

Chitra Has an Engagement 07Chitraengaged

Book 2: Teja

Red-Headed Stranger b201red

Kanya’s Story b202kanya

Harem Childhood b203harem

The King’s Birthday Feast b204bday

The Gift of the Moon b205moon

Flight from Ivaldi b206flight

A House in the Hills b207hills

Disappearance b208disapp

Blood b209blood

From the Lost Papers of the Six-Fingered Mage b210papers

Strange Tales in the Hills b211strange

The Demon-Killer b212killer


Extras: Creation x_creation| Ancient History x_ancient| About Magic x_magic | About True Seaborn x_seaborn


Book 3: Meshvir

A Wand’ring Minstrel Eye b301eye

The Hall of the Mountain King b302hall

The Embassy from the Golden Land b303embassy

The Deathbed of a King b304deathbed

Taking the High Road b305high

My Darkest Hour b306darkest

Reunion b307reunion

(Untitled Chapter)

Interview with Chitra

Interview with Janse

(Untitled Chapter)

Bonding

The Thundering Herd

Return to Meshvir

The Field of Kings

Conversations Before a Battle Battle

The Victory Feast

Memory

The Ivaldin Calendar

The Ivaldin year consists of eight months of 45 days, each divided into nine morens of 1, 2, 3,… 9 days:

One Month

Moren 1 Day 1
Moren 2 Day 1 Moren 2 Day 2
Moren 3 Day 1 3-2 Moren 3 Day 3
Moren 4 Day 1 4-2 4-3 Moren 4 Day 4
Moren 5 Day 1 5-2 5-3 5-4 Moren 5 Day 5
Moren 6 Day 1 6-2 6-3 6-4 6-5 Moren 6 Day 6
Moren 7 Day 1 7-2 7-3 7-4 7-5 7-6 Moren 7 Day 7
Moren 8 Day 1 8-2 8-3 8-4 8-5 8-6 8-7 Moren 8 Day 8
Moren 9 Day 1 9-2 9-3 9-4 9-5 9-6 9-7 9-8 Moren 9 Day 9
High Holiday
Low Holiday

Two days of every moren are business and school holidays, but most shops remain open for the “low holiday.” Certain other days are sacred to particular gods, when rituals are performed in their honor.

There are four seasons: Bursat (the monsoon), Chhota Garm (warm), Tand (cold) and Bara Garm (hot). Each is two months long (thus, the months are called First Bursat, Second Bursat, First Chhota Garm, etc.). The calendar is adjusted to fit the seasons, with the New Year and the month of First Bursat beginning with the first rainfall. At the end of Second Bursat, when there has been no rain for five days, the rains are considered to be over, and First Chhota Garm begins. After two months, First Tand begins, coincident with the winds’ shift from the eastern sea to the cold northwestern mountains. Bara Garm begins when the wind shifts again, to blow from the warm south.

At the change of months there are five holidays in a row (9-9 to 3-1), to make up for the previous long morens of work. No one remembers how this peculiar calendar came about, but the Ivaldin insist that they like the varied rhythm it gives to their lives.

Dressage

Unless you’re a horsey type, you may never have heard of this sport, though it’s now an Olympic event (in most countries it’s hard to get full TV coverage of equestrian events even at the Olympic level). Classic dressage is so quiet and dignified that you don’t realize how hard it is: the horse walks, trots, and canters precise figures, and shows off fancy paces, while the rider doesn’t appear to be doing much at all.

Dressage to music is an update for our stimulus-craving age. The movements and figures are the same, but are choreographed to music. Choosing the music turns out to be a complicated business: as explained on a site I found (no longer available), you have to find pieces that suit your horse’s paces and your own style, without getting on the judges’ nerves. And you have to put together a medley to cover at least the three basic tempos of walk, trot, and canter. This should ideally be done with some musical judgement and skill, and I found several sites offering to do it as a service. One site comments: “I now do all the mixing on computer and output to CD, which is 100 times easier [than tape] – don’t quite know how I managed before.”

I would love to see a live competition of dressage to music, but so far I have only seen the video of last year’s world championship finals. The athleticism and grace of the pairs was exhilarating to watch, but I was disappointed in the music: mostly tinkly versions of soft pop music (Neil Diamond must make a fortune every year in royalties from sporting events). It’s the kind of music so calculated to offend nobody that it grates considerably on my nerves, and must irritate the judges as well, if they have any musical sensibility at all.

After a number of these irritations, it was the turn of a pair from Germany: a robust gentleman with an impressive mustache, and his muscular stallion. As they entered the arena, a very different music swelled out: Jethro Tull’s “Locomotive Breath”. I would have given them the prize on musical taste alone. The judges, alas, didn’t see it my way: second place went to a jarring mishmash of pseudo-Greek movie tunes (Zorba, Never on Sunday), and the music the first-place winners used was so unmemorable that I’ve completely forgotten what it was!